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	<title>Classic Car Adventures &#187; Style</title>
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	<link>http://www.classiccaradventures.com</link>
	<description>Tours, rallies, and online magazine for vintage, historic, and classic car enthusiasts. Home of the Spring Thaw Classic Car Adventure.</description>
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		<title>Classic cameras for classic cars</title>
		<link>http://www.classiccaradventures.com/2010/01/classic-cameras-for-classic-cars/</link>
		<comments>http://www.classiccaradventures.com/2010/01/classic-cameras-for-classic-cars/#comments</comments>
		<pubDate>Sat, 16 Jan 2010 04:35:48 +0000</pubDate>
		<dc:creator>Warwick</dc:creator>
				<category><![CDATA[Contributors]]></category>
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		<category><![CDATA[Warwick Patterson]]></category>
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		<guid isPermaLink="false">http://www.classiccaradventures.com/?p=492</guid>
		<description><![CDATA[We immerse ourselves in the atmosphere and culture of a bygone era - especially at events like Goodwood - and yet you rarely see vintage camera gear. Filmmaker Dikayl Rimmasch takes a step back in time to shoot the 2006 Rolex Invitational on vintage film cameras.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.classiccaradventures.com/wp-content/uploads/2010/01/h16rex3_1.jpg"><img class="alignright size-full wp-image-501" title="Bolex H16" src="http://www.classiccaradventures.com/wp-content/uploads/2010/01/h16rex3_1.jpg" alt="" width="271" height="299" /></a>When I started shooting action sports and mountain biking movies about 10 years ago, my first camera was an old Bolex 16mm camera. Shooting on film was a great learning process, and certainly made you focus on the task at hand. With only two minutes (and $60) worth of film on each reel, you learned to get things right the first time. Set and check exposure with a light meter. Choose focal length, shutter speed and frame rate. Roll camera (clackity-clackity-clack), and cue action! If all went well, you&#8217;d find out in a few weeks or months &#8211; whenever you got the film developed &#8211; whether that shot worked out. Pretty soon, the switch to digital video was made and I&#8217;ve never looked back.</p>
<p>Lugging modern high-definition cameras around at a vintage meet somehow seems to defeat the purpose and aesthetic of these events. We immerse ourselves in the atmosphere and culture of a bygone era &#8211; especially at events like Goodwood &#8211; and yet you rarely see vintage camera gear. Don&#8217;t get me wrong, I&#8217;m no luddite and the new video and photo gear is amazing, but I&#8217;ve been thinking about dusting off my old Bolex H16 to shoot some historic racing this year. Today&#8217;s video post on the always wonderful <a href="http://thechicaneblog.com/2010/01/15/vintage-racecars-on-vintage-cameras/" target="_blank">Chicane Blog</a> has me convinced to give it a go:</p>
<p style="padding-left: 30px;"><em>Filmmaker <a href="http://rimmasch.com/" target="_blank">Dikayl Rimmasch</a> shot some great footage of the 2006 Rolex Invitational at Lime Rock testing two historic film cameras, a <a href="http://super8wiki.com/index.php/Bell_and_Howell_70" target="_blank">Bell &amp; Howell 70 KRM</a> (the KRM was the military model, this example was from the Vietnam era) and a  1930’s <a href="http://www.flickr.com/photos/captkodak/289819632/" target="_blank">Cine Kodak</a>. The beauty of these cameras is that you can achieve a very vintage look (grain, light flicker, etc) without having to fake it in post-production. The result is a gorgeous piece of film who’s technique does a service to the subject matter. Great stuff.</em></p>
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